About Sound+Vision Live
Tatiana began her career in music promotion, producing large-scale arena and stadium concerts for artists including U2, Depeche Mode, Metallica, Leonard Cohen and Lenny Kravitz, with audiences of up to 60,000. She later became Music Director of the immersive electronic arts festival Midsummer Night’s Dream, curating programmes featuring artists including Orbital, AIR, Underworld, Faithless, Kruder & Dorfmeister and Yello. These experiences shaped an approach that combines creative instinct with commercial understanding, and a belief that great ideas flourish through the right collaborations and partnerships.
As an independent producer, she has conceived, developed and delivered world premieres, international tours and multidisciplinary productions, including the world premiere of Romeo & Juliet at the Arena di Verona and its sold-out UK premiere at the Royal Albert Hall. Her work has also included productions at the London Coliseum, Théâtre des Champs-Élysées in Paris, the London Palladium and Shanghai Grad Theatre, alongside international touring to leading venues and festivals including New York City Center, Hong Kong Arts Festival, Dubai Opera, the National Centre for the Performing Arts in Beijing, Ravenna Festival, Southbank Centre, Teatro Coliseum Barcelona and Theater 11 Zürich.
Tatiana also worked at HarrisonParrott, one of the world’s leading artist management and touring agencies, where she managed international tours and projects for orchestras and ensembles across Europe, Asia and the Middle East.

Experience Across Performance
An International Perspective
The Work Today
A selection of projects shaped through producing, touring strategy and close collaboration.
A Few Practical Questions
A short guide to the kinds of conversations, projects and collaborations we typically take on.
01
What kind of work do you typically take on?
02
Do you only work in dance?
03
Do you work with a large roster of artists?
04
Do you work internationally?
05
Can venues or festivals approach you directly?
06
Do you only work on fully developed productions?





















